Matisse Picasso And Gertrude Stein Part 39

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Then there is placed there that which if the predicament is not outdistanced means that there is posthumous fame, this means that there was a violin and a widow and a melodrama, it means more than that it means that there was a friend and a closet and most of the coloring matter, it means more than that it means silence and it does mean a declaration that has memories, it does mean all that and any one is frightened any one is frightened who does not remember. To be peaceful, to be calm, to have a ticket and a feather and to mean that a table is necessary all this together does arouse resentment. Suppose there was nothing done at any rate singing is not more than reciting and reciting is not more than dancing. In any case a swelling has plenty of the same endearment and the peace of an organ is that which is most handled.

There is no dispute when there is music, none at all and a window any window is above, it is so above that the climate and the stables and all the cleaning comes to be in place of cooking. The one way to eat is perfect, there is so much to telephone.

All the same there was misunderstanding, there was misunderstanding, there was a description and in any case what is a discovery, a discovery is the exact s.p.a.ce covered by the moving example. That is it and no dispute shows any more heat than there is.

A cus.h.i.+on, no fan and no rose, no cus.h.i.+on no fan and no rose, no rose and no fan, no fan no cus.h.i.+on, no cus.h.i.+on no rose. The silence began with flowers, it went on longer.

The next margin the margin that had no existence, the next margin was that which if there were many present there was no way of exerting excitement. This was not silence, it was silent.



The only spreading was when the number was the same, this moment was not mingled with expectation, it had no such occasion.

It was a single breath in a circle, this which was of all sizes was so placed that there was silence.

The length of a refusal was expressed in irritation. When is there more recollection than force. There is more recollection than force when there is no occasion and more pricelessness.

Saving money, saving if from an occasion and saving it when there is a change of hymning, changing the whole escape that is not a rhapsody, it is the place of thunder. The sale and the water, the whole hating of argument and agreement these are not changing with winter, winter does not need rain, it does not need any day, it needs tunneling. All the same there is a difference. There cannot help being a difference and in any case there is no shame, there is no authority, there is no habit, there is nothing, that is to say that is not the way they are feeling about it. Not at all. What they are feeling is this. They are feeling that the time is there where it was and that not being so they are certainly sure that the obligation is not pressing. That is what they are feeling and in any case there is no hesitation. Hesitation does not take time, why should they take time, they do not use that argument, they are not so to speak exchanged.

Very well, supposing that the time which is spent is so spent that there is memory, suppose this, cause no gloom and have success, what does that mean, that means nothing. To mean that there must be some authority and what does authority mean, authority means no more yellow color as yellow is the color that is chosen and no slight is necessary. If no slight is necessary then there is a center piece. All the kindness shows, what does it not show, what single separation is there in two decorating an original explanation, there is no use in tears, there is no use and there is no sobbing. Silence has the pleasure of an interval and the cross means separation. Supposing there was a cross, supposing that when the moment came there was crossing, supposing all that would there be any use in recognition. Would there. There is no doubt that the result in not pleasing and there is no doubt that there is no desertion. There is no pliability in a curtain, it does not show more night than it has.

All the same there is the place to join three together. To deny that is to displace the whole example which is the part article. Managing it all shows the connection, it shows nothing in the place of certainly. Grief is not agitation.

Showing it that there are no spreads which are changed, showing it so shows the choice, it shows the sagacity. There is no look.

A cake, a cake which is not the size mentioned has a b.u.t.ton in it and this b.u.t.ton is the very b.u.t.ton that is in the lobster, the meaning of this is seen in metal, for instance, supposing a cla.s.s which makes a necktie changes color, supposing it does that give everybody joy, it does. At the same time the predicament is in the middle and it being in the middle and there being a regular circ.u.mference the finest estrangement comes from intermittance.

So much kindness matters when there is the question and what of a meadow, why is a meadow green. So much kindness matters when there is repet.i.tion and there is repet.i.tion in a saloon, there is no dirt anywhere. All the same the discussion has no resistance and the change which is announced does not differ in degree from that which accomodated with regular day-light shows no separation. All the talk is chosen and all the urging is contemporary.

If the time happened to be pleasant and the rain happened to show that water was industrious, if all the heat was in a sitting-room and darkness settled down over a lamp, if all this happened separately there would be the same astonishment as in every case and yet the whole endurance of perplexity is under what is not ever over and exasperated.

All the extreme respect is countenanced, all the satin shoes have soles, all of them and no doubt mixed when mistaken.

A cook does not mean that there is cooking. Cooking is establis.h.i.+ng a regulation which when it is suggested means that anything that is boiling is not withstanding cooking. In the same way the establishment of registration that is to say the exercise which makes falling so uncertain that there is no question, such registration does mean that finally, very finally there is an excuse for following. In any case there is so single dislike.

An outline, outline, what causes hesitation, does outline not cause hesitation, why is certainty disgusted by a waiter, why is the selection of more than there is not established by selection, why is reasoning clear, and estimation precise, and articulation unnecessary, and disintegration avoided, why is it, and more than that when does the resolution come that shows in a description, when does it come and why does it determine no return, and what particular transaction shows more intelligence than ever.

A labor, a labor consists in a list, a labor consists in a reduction in minerals, a labor consists in authority.

Shame, there is shame, there is a date, there is betrothal, there is sweetness.

No better juice than lime juice, no better juice than lemon juice, no juice at all, no water, no sugar, no dirty gla.s.s. All this shows antagonism.

Hide decent pepper, hide nothing clean, hide nothing and the prince is perfect. Why is there no slender pine-tree, there is no slender pine-tree because horror is loaded and the princ.i.p.al shadow that indicates a memory is that which is not any size.

A distance, a distance is that which being placed in the beginning of lettering shows no more curve than there is in a single sight and this does not mean dispute, why is there dispute in tears, there is dispute in tears because dust, no dust is thickened by cream, it is thick, cream is thick, cream has that color and that odor and that stretch of especial surprise. How sweet is the light in a ladle and how dark is daintiness, how sweet is anything and how sweet is that which is particular.

Laying an egg this is the occupation of a horse, laying an egg every egg, laying every egg this is the period of fasting. Not lying in the midst of more oysters than anything, not lying down in drinking, all this shows no shrinking. All the time that is spent is communion, communion is that occupation which is audible.

Soap is not only a hope it is a release. When is it a release, it is a release when the quiet is so great that no sound whistles.

A lively wedding is not useless, it shows action, it shows measure, it shows union.

A change into a result means that nothing is overthrown.

Incase a whole heap into a piano, suffer the piano not to have keys, be careful of any examination that is not cured, show that the color softens and then say that there is observation, say it, does this make any one sad, it does and it does so because that weight which is that woe is so tardy and so surrounded and so sensitive in circulating an ending that there are no signs of babies and yet babies are not younger, at least they are not so much younger.

It came, the time came to explain that since if there is the whole surrounding surface and that is a stable full then certainly there can be no sign of rubber.

That was one way to serve a banana which was a fig in the cooking.

Another way was the one which showed no beginning. This one did not urge a man, this one was so soothing that there was no vacation. The length of days do show lengthening when the days which were shorter and longer were seen by there being resuming. In any case length and length is particular in any case length is not strange when there is a resemblance. Length and strength, strength and no length, all length and all strength and all length and strength all these together make an exhibition and a return and a certainty and a despair and a disjointing.

All the crackers have ginger and yet there is no use in eating why should there be eating so early every day and there is a diferent automobile. Why should there be contribution.

All the same there is a chance to be undermined, there is a very good chance and there is no sleep, there always is sleep in a bakery. This does not make a cause.

Wasting historical burning, wasting perfume and juice and all that, wasting silk and a machine, wasting all that.

The retirement of Sunday is no choice, it means walking, it means a return, it means scaling the season in between wet weather and suns.h.i.+ne.

A hurt stove and a certain cure this makes a doubt that is perfect.

Likely to be very likely to be copied, any little thing has no name.

Pain killer and a husband cleaner, any little place is the same as empty.

A lamp, supposing a lamp has a volume and a broom, supposing it has, supposing there is catarrh, supposing coughing is peculiar, supposing it is not, if it is not why should hus.h.i.+ng be synonymous with a mixed up engagement, why should it when there are fears.

The time that begs a listener go to stay, a single shape that has no obligation, a light idea that mixes all disdain, all this together shows the effect, it shows that there is no use in limpness and eternal fainting.

Why should merchants be strong and acrobats weak, why should they, there is no question.

A carpet, what is a carpet, a carpet is something that is not dusty, that is not delapidated, that is neither perspiring or draughty, that is not perfect or determined. A carpet is something that, judging from the beginning, from the middle, from the end, is not necessary when there is no necessity for it. A carpet is such a thing and the choice of it, the choice for it, all that is done to declare it is just the search for the truth, for the darkness, for delicacy and for reason. All this is not strange.

Kindling in between paper and anything, kindling is so white that it is useless to show the color of paper, it is quite useless and yet wood which is wood and which is paper is so splendid.

Acting together always acting together there is so much choice, there is the choice first of all the wholes and then more places are filled and there is every choice. Filling is splendid.

The time which is limited is that which is chosen and the necessary statement is that in the beginning there is no swelling, in the middle there is no dwindling, in the end there is no division. This is the order of the referred elongation.

A quiet scene in a laughter does not s.h.i.+ne away.

Consider the climbing that circles and celebrating sees the outline.

Consider that and measure, measure and receive the carmine. Consider no smoke, consider no orange, consider no flower, consider no clambering creeper, consider no outburst and no incline, consider no silence.

Capable of a recital, inches of inside measure, all the western window wet and no smoke settling, all this and a hurricane, is a flight simple, it is not babyish, it is not surgical.

The proposition is that a certain relation between the merit which is and the merit which is is that which pertains to a master line. The presence is that that which is the region is not only a realm it is a preliminary. All this shows in shadow and in shouting there is silence and a celebrity. All this shows in wounding and in loving all the mound.

All this shows a widening and excessively excessive round. All this shows a vineing and it shows so much meal purge and such searching that any silence which is eloped is that which is restrained from resting.

This is not silence.

A tooth when is a tooth empty, a tooth is empty when conduct is preferable.

Matisse Picasso And Gertrude Stein Part 39

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Matisse Picasso And Gertrude Stein Part 39 summary

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