Matisse Picasso And Gertrude Stein Part 40

A lingering period is not shortened by melting axes, it is not even shortened by a humming sound.

Quiet very quiet and no paper, very quiet and no tangle and nothing solitary and not even a wounded sermon. None of these show choking.

To show a variation there is no place so recent that there is not a crack and a selection. To be violent is not so necessary but that if there have been witnesses there is blossoming. So much courage, so much magnitude, so much sorrow, so much exchange, so many mingled interstices and so many meadows why is the exchange perfect, it is so disorganised.

The credit that comes from interregulation and motionless maritime industry shows no sign of diminis.h.i.+ng when there is a call for mountains and character.

The special relation of more to most and gradually to reincarnation, the special relation of the mingling to effervescing and the resolution to intervention, the very especial relation of observation to a.n.a.lysis and the joint to a foot all this is so critical that there cannot be an occasion.

What is struggling, it is a recognition of a surface that has so many additions that there is use in a climax. This does not mean steadying and despair, it means no more than the tiniest the very tiniest example of a blot and a simple exercise in righteousness and no excuse.

The season which is free and the season which is the same is so firm, is so particular, it is so begun that necessarily there are circ.u.mstances.

What is a word that says resemblance. The word is so seen that there is nation and a nation and nations and in nations. The sight of all of it is not a circus it is not even a parting, it is more than that, it is all.

So the inclination scatters and the regret paces and the stirring cinders stick where they are. And the little tag is empty and the larger couch is simple and a discharge, every discharge is within matter.

Compliance, what is compliance, it is authority and retort and a medium declaration of fitness and agility and solemn use of patience. All this does not disease a stomach or distress a vaccination, it does not even halt admiringly.

The time was splendid, any single nation was not of a speed that showed slackening and regular expulsion. More of it was renounced and a slave a real slave is somnolent, a real slave rests in potatos and anything onion.

A shadow, a living shadow is in quant.i.ty and design and distribution. A regretted shadow is in organisation and distribution and retribution.

Any shadow is famous and any face is soon painting. Any heroism is hard limited and any line is fabulous, and the church any church is taken when there are windows and a winter waiting, any likelihood shows that red.

A lake, springing into a waggon and having wheels totter and having all the water suffer, this is obliging.

Fancy a cylinder, fancy it in a letter, does that show slouching.

Sweep and settle, circulate and rejoice, reject a morsel and suffer suffer lightly and in a measure.

Search a hindrance, see obligations resemble china, see no more tunes and no more harshness and hardly any virgin.

Climb and dine and s.h.i.+ne and show a shadow a single tiny blessing, a decanter, show it in swimming, show it in a pudding, show it in an aquarium, show it as it is sudden.

Dating a gently soft boiled egg that is boiling does not mean that there is any hurry or that there is any comparison. Dating it is momentary and a schedule and it has that sobriety, it has that, it certainly can devise ways of encouraging more things than have been collected. It certainly will.

A lameness is no structure, that is enthusiasm, that is liberty and that too that is a chance.

Labor which is rapid is so silent that there are pins. Is this straight in summer, it is in winter, it is charming in winter, it is choice in summer, why is there caution, why is there a chapter.

Pointing in the direction which makes pets and pillows and a flight and an interval and even more, pointing that way makes a negro say that a negro has color and is not a stranger, it makes him say out right what there is to see in lamp light and in a faded china cover and even in a little bit of carpet. This is so neat and so careful and really cautious, this is the best example of the change that has made no body more restless than the best hammer.

It can not be said that one man singly is enough to show that one man searchingly does cover all. There is no doubt that pus.h.i.+ng is pressure and relaxing is concentration and n.o.bility, n.o.bility is the same. There is no doubt that something is boundless.

There can be no date backwards and faintly forwards and all together.

There can be no date and there certainly can be no heavy esteem. There can be no satisfaction and no special cases, there can reasonably be no minor survey.

All this makes a date and a rescue that is to say green is not so green and what is delicate is delicate, and doubt sweet doubt is dimpling. The garden all the garden is triangular and a hand a whole band is a careless symptom. The change is not ordered, it comes from surviving vegetation. This which is so obliging and really so attuned to all that nervousness that makes the final coat a mixed color, all this together shows the same black. Suppose black is black. Suppose it has a different color, suppose it has a black color, does it make any difference in describing, does it even make any difference in recognising a different thing together, does it even show when it is handsome. These questions come crowding and after that the time shows that the best way to disappear is to undertake to refuse to stay and at the same time to go away, that is to do that when that which is industrious is toilsome and intelligent.

A strain any strain means that there is no accident and no eye sight, not even plaintiveness.

To suggest wounding, this is so much mixed with care and with eye gla.s.ses and even with opportunity, can there be negligence when there are so many willing, can there be mistakes when so many have married and are marrying, can there be fellow feeling.

A sparkle a single sparkle makes wis.h.i.+ng fatal, a single earnest merriment makes a mark on a slice of something.

Splendor, why is splendor careful, splendor is careful because all the royal family have been popular. They have been popular how, they have been popular by actions and by more secrets than are shown by inviting a single reader. So elementary is the rising sand and the twisting snow, so vacant is the lot and the fountain, so hurried is the Indian and the dancer, so neglected is the hurt finger and the duck, so splendid is the lamp and so urgent is the white horse in winter that surely there can be no question of discount, there can not even be question of serpents, there can be a heaven and a heel and there can be lakes of water.

A town a single town, a trunk, a whole and the same trunk, a piece of colored marble and even a can that is sinister, all this shows whining, it shows so many sacks and bottles and a finish oftener.

Winding and not clinging, selling and not sobering, reason why is not so course and broken as yesterday with music.

A little lameness is a stern name for an excuse.

What is lively. That which radium advances and porches close and lynx eyes shudder. It is a gloom and entrancing is captivating.

The example, the only example is mistaken and a murmur, it is jotted and likened to more special reductions.

A tall scale, a sour gla.s.s, a tight stretch, an even table, a celebrated circus and a melodion, these and many more mistakes have no attributes, they are careless.

The reason why running is no exercise is that when the heat is hot there is no borrowing and when it is not there is no refuse.

A leaning left and a lounge in might, a thorough rest and a pleasing rib, a rate that shows thoroughly, this is more logical.

That which when the local which is color and the local which is b.u.t.ter and the local which is a mask and color and the local which is a decoration and a platter, that which when the local spectacle is traded away for something established to be regular and surprising and unwillling, that which is the scene of an auction is the time when a name is stronger and old age which is fifty is sixty.

A blessing is that which when the time is one minute shorter and the disappearance is extraordinary and not continuous a blessing is that which when there is a tender waiter shows no increase in haste.

A language traded for tobacco, a language even traded for more corn than ever was changed to be no sweeter than candy and sugar, a language traded for tobacco and very likely for anything not used in any original occupation, a language that is so fit to be seen exasperated and reduced and even particular, a language like that has the whole rake that makes the gra.s.s that is green smell green.

A weight, what is a weight a weight is a lifting of cows and horses and bridges and everything.

Pavement which is clean, a disaster a single disaster is not in shooting but in being a reasoner. There was a pause.

Careless of lingering, careless of betrothal, careless of a caravan, careless and unusual, not so careless at a picnic, not so careless in perusal, not so careless in a moustache, not so careless and usual, not so careless.

A quant.i.ty counted, does that mean a b c d or does it mean w and x y z further, does it or does it mean more.

A center to a prepared and biangular pedestal is so special that there is no care and no spectacle further than just enough to show the reason of the respect and the careful surmounted dangling.

A season to oppose is that June day and that appet.i.te that being particular is so festooned is so evenly arranged and so darkened that despair all the occasion for more and most and mighty is in the denied robbery. Is there robbery, why is there no claret and fish, why is there none so handsome and love all love and giving voice, does giving voice mean rejection and argument and even attribution.

The sand paper is not hazardous and fathers are dead. What are fathers, they are different. The casual silence and the joke, the sad supper and the boiling tree, why are bells mightily and stopped because food is not refused because not any food is refused, because when the moment and the rejoicing and the elevation and the relief do not make a surface sober, when all that is exchanged and any intermediary is a sacrificed surfeit, when elaboration has no towel and the season to sow consists in the dark and no t.i.tular remembrance, does being weather beaten mean more weather and does it not show a sudden result of not enduring, does it not bestow a resolution to abstain in silence and move South and almost certainly have a ticket. Perhaps it does nightly, certainly it does daily and raw much raw sampling is not succored by the sun.

A wonder in a break, a whole wonder and more rascality in a slight waste and even that so infinitely noised even that is not a disaster in splendor and more t.i.tled climaxes more t.i.tled climaxes have miserable second voices than any voices and away is more than the resemblance that is necessary. Is it astonis.h.i.+ng that red and green are rosy red and voilet green, is it surprising that so rich a thing shows a certain little thing, shows that every bit of blue is precious and this is shown by finding, by finding and obtaining, by not silencing disentangling, by never refusing resigning. All the blank burden and surely there is none in a particular discreet turning, surely there is no unit in smelling and no market in market gardening. This is not true. It is not even in worth.

Even even more than a cellar more loud than a sun, more likely than a sturgeon, more likely, most likely, this was so bright and so occurrent and so bees in wax, bees and bees in wax.

What is cat is a cat and what is splendid is a mouse and what is driven is a dog and what is curly is a cow.