The Simple Art Of Murder Part 4
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"Max. He'll back me up, if you handle him right. Only he don't want any part of it. He don't play those games. He gave Stella dough to leave town and signed off. Because those boys are tough."
"Max couldn't know where you followed the Filipino to, Joey."
The small man sat up sharply, swung his feet to the floor. His face got sullen.
"I'm not kidding you, copper. I never have."
Delaguerra said quietly, "I believe you, Joey. I'd like more proof, though. What do you make of it?"
The little man snorted. "h.e.l.l, it sticks up so hard it hurts. Either the Flip's working for Masters and Aage before or he makes a deal with them after he gets the snaps. Then Marr gets the pictures and it's a cinch he don't get them unless they say so and he don't know they had them. lmlay was running for judge, on their ticket. Okey, he's their punk, but he's still a punk. It happens he's a guy who drinks and has a nasty temper. That's known."
Delaguerra's eyes glistened a little. The rest of his face was like carved wood. The pipe in his mouth was as motionless as though set in cement.
Joey Chill went on, with his sharp little grin: "So they deal the big one. They get the pictures to Marr without Marr's knowing where they came from. Then Imlay gets tipped off who has them, what they are, that Marr is set to put the squeeze on him. What would a guy like Imlay do? He'd go hunting, copper-and Big John Masters and his sidekick would eat the ducks."
"Or the venison," Delaguerra said absently.
"Huh? Well, does it rate?"
Delaguerra reached for his wallet, shook the money out of it, counted some bills on his knee. He rolled them into a tight wad and flipped them on to the bed.
"I'd like a line to Stella pretty well, Joey. How about it?"
The small man stuffed the money in his s.h.i.+rt pocket, shook his head. "No can do. You might try Max again. I think she's left town, and me, I'm doin' that too, now I've got the scratch. Because those boys are tough like I said-and maybe I didn't tail so good... Because some mugg's been tailin' me." He stood up, yawned, added: "Snort of gin?"
Delaguerra shook his head, watched the little man go over to the dresser and lift the gin bottle, pour a big dose into a thick gla.s.s. He drained the gla.s.s, started to put it down.
Gla.s.s tinkled at the window. There was a sound like the loose slap of a glove. A small piece of the window gla.s.s dropped to the bare stained wood beyond the carpet, almost at Joey Chill's feet.
The little man stood quite motionless for two or three seconds. Then the gla.s.s fell from his hand, bounced and rolled against the wall. Then his legs gave. He went down on his side, slowly, roiled slowly over on his back.
Blood began to move sluggishly down his cheek from a hole over his left eye. It moved faster. The hole got large and red. Joey Chill's eyes looked blankly at the ceiling, as if those things no longer concerned him at all.
Delaguerra slipped quietly down out of the chair to his hands and knees. He crawled along the side of the bed, over to the wall by the window, reached out from there and groped inside Joey Chill's s.h.i.+rt. He held fingers against his heart for a little while, took them away, shook his head. He squatted down low, took his hat off, and pushed his head up very carefully until he could see over a lower corner of the window.
He looked at the high blank wail of a storage warehouse, across an alley. There were scattered windows in it, high up, none of them lighted. Delaguerra pulled his head down again, said quietly, under his breath: "Silenced rifle, maybe. And very sweet shooting."
His hand went forward again, diffidently, took the little roll of bills from Joey Chill's s.h.i.+rt. He went back along the wail to the door, still crouched, reached up and got the key from the door, opened it, straightened and stepped through quickly, locked the door from the outside.
He went along a dirty corridor and down four flights of steps to a narrow lobby. The lobby was empty, There was a desk and a bell on it, no one behind it. Delaguerra stood behind the plate-gla.s.s street door and looked across the street at a frame rooming house where a couple of old men rocked on the porch, smoking. They looked very peaceful. He watched them for a couple of minutes.
He went out, searched both sides of the block quickly with sharp glances, walked along beside parked cars to the next corner. Two blocks over he picked up a cab and rode back to Stoll's Billiard Parlors on Newton Street.
Lights were lit all over the poolroom now. Bails clicked and spun, players weaved in and out of a thick haze of cigarette smoke. Delaguerra looked around, then went to where a chubby-faced man sat on a high stool beside a cash register.
"You Stoll?"
The chubby-faced man nodded.
"Where did Max Chill get to?"
"Long gone, brother. They only played a hundred up. Home, I guess."
"Where's home?"
The chubby-faced man gave him a swift, flickering glance that pa.s.sed like a finger of light.
"I wouldn't know."
Delaguerra lifted a hand to the pocket where he carried his badge. He dropped it again-tried not to drop it too quickly. The chubby-faced man grinned.
"Flattie, eh? Okey, he lives at the Mansfield, three blocks west on Grand."
TEN.
Cefarino Toribo, the good-looking Filipino in the well-cut tan suit, gathered two dimes and three pennies off the counter in the telegraph office, smiled at the bored blonde who was waiting on him.
"That goes out right away, Sugar?"
She glanced at the message icily. "Hotel Mansfield? Be there in twenty minutes-and save the sugar."
"Okey, Sugar."
Toribo dawdled elegantly out of the office. The blonde spiked the message with a jab, said over her shoulder: "Guy must be nuts. Sending a wire to a hotel three blocks away."
Ceferino Toribo strolled along Spring Street, trailing smoke over his neat shoulder from a chocolate-colored cigarette. At Fourth he turned west, went three blocks more, turned into the side entrance of the Mansfield, by the barbershop. He went up some marble steps to a mezzanine, along the back of a writing room and up carpeted steps to the third floor. He pa.s.sed the elevators and swaggered down a long corridor to the end, looking at the numbers on doors.
He came back halfway to the elevators, sat down in an open s.p.a.ce where there was a pair of windows on the court, a gla.s.s-topped table and chairs. He lit a fresh cigarette from his stub, leaned back and listened to the elevators.
He leaned forward sharply whenever one stopped at that floor, listening for steps. The steps came in something over ten minutes. He stood up and went to the corner of the wall where the widened-out s.p.a.ce began. He took a long thin gun out from under his right arm, transferred it to his right hand, held it down against the wall beside his leg.
A squat, pockmarked Filipino in bellhop's uniform came along the corridor, carrying a small tray. Toribo made a hissing noise, lifted the gun. The squat Filipino whirled. His mouth opened and his eyes bulged at the gun.
Toribo said, "What room, punk?"
The squat Filipino smiled very nervously, placatingly. He came close, showed Toribo a yellow envelope on his tray. The figures 338 were penciled on the window of the envelope.
"Put it down," Toribo said calmly.
The squat Filipino put the telegram on the table. He kept his eyes on the gun.
"Beat it," Toribo said. "You put it under the door, see?"
The squat Filipino ducked his round black head, smiled nervously again, and went away very quicky towards the elevators.
Toribo put the gun in his jacket pocket, took out a folded white paper. He opened it very carefully, shook glistening white powder from it on to the hollow place formed between his left thumb and forefinger when he spread his hand. He sniffed the powder sharply up his nose, took out a flame-colored silk handkerchief and wiped his nose.
He stood still for a little while. His eyes got the dullness of slate and the skin on his brown face seemed to tighten over his high cheekbones. He breathed audibly between his teeth.
He picked the yellow envelope up and went along the corridor to the end, stopped in front of the last door, knocked.
A voice called out. He put his lips close to the door, spoke in a high-pitched, very deferential voice.
"Mail for you, sar."
Bedsprings creaked. Steps came across the floor inside. A key turned and the door opened. Toribo had his thin gun out again by this time. As the door opened he stepped swiftly into the opening, sidewise, with a graceful sway of his hips. He put the muzzle of the thin gun against Max Chill's abdomen.
"Back up!" he snarled, and his voice now had the metallic tw.a.n.g of a plucked banjo string.
Max Chill backed away from the gun. He backed across the room to the bed, sat down on the bed when his legs struck the side of it. Springs creaked and a newspaper rustled. Max Chill's pale face under the neatly parted brown hair had no expression at all.
Toribo shut the door softly, snapped the lock. When the door latch snapped, Max Chill's face suddenly became a sick face. His lips began to shake, kept on shaking.
Toribo said mockingly, in his tw.a.n.gy voice: "You talk to the cops, huh? Adios Adios."
The thin gun jumped in his hand, kept on jumping. A little pale smoke lisped from the muzzle. The noise the gun made was no louder than a hammer striking a nail or knuckles rapping sharply on wood. It made that noise seven times.
Max Chill lay down on the bed very slowly. His feet stayed on the floor. His eyes went blank, and his lips parted and a pinkish froth seethed on them. Blood showed in several places on the front of his loose s.h.i.+rt. He lay quite still on his back and looked at the ceiling with his feet touching the floor and the pink froth bubbling on his blue lips.
Toribo moved the gun to his left hand and put it away under his arm. He sidled over to the bed and stood beside it, looking down at Max Chill. After a while the pink froth stopped bubbling and Max Chill's face became the quiet, empty face of a dead man.
Toribo went back to the door, opened it, started to back out, his eyes still on the bed. There was a stir of movement behind him.
He started to whirl, s.n.a.t.c.hing a hand up. Something looped at his head. The floor tilted queerly before his eyes, rushed up at his face. He didn't know when it struck his face.
Delaguerra kicked the Filipino's legs into the room, out of the way of the door. He shut the door, locked it, walked stiffly over to the bed, swinging a thonged sap at his side. He stood beside the bed for quite a long time. At last he said under his breath: "They clean up. Yeah-they clean up."
He went back to the Filipino, roiled him over and went through his pockets. There was a well-lined wallet without any identification, a gold lighter set with garnets, a gold cigarette case, keys, a gold pencil and knife, the flame-colored handkerchief, loose money, two guns and spare clips for them, and five bindles of heroin powder in the ticket pocket of the tan jacket.
He left it thrown around on the floor, stood up. The Filipino breathed heavily, with his eyes shut, a muscle twitching in one cheek. Delaguerra took a coil of thin wire out of his pocket and wired the brown man's wrists behind him. He dragged him over to the bed, sat him up against the leg, looped a strand of the wire around his neck and around the bed post. He tied the flame-colored handkerchief to the looped wire.
He went into the bathroom and got a gla.s.s of water and threw it into the Filipino's face as hard as he could throw it.
Toribo jerked, gagged sharply as the wire caught his neck. His eyes jumped open. He opened his mouth to yell.
Delaguerra jerked the wire taut against the brown throat. The yell was cut off as though by a switch. There was a strained anguished gurgle. Toribo's mouth drooled.
Delaguerra let the wire go slack again and put his head down close to the Filipino's head. He spoke to him gently, with a dry, very deadly gentleness.
"You want to talk to me, spig. Maybe not right away, maybe not even soon. But after a while you want to talk to me."
The Filipino's eyes roiled yellowly. He spat. Then his lips came together, tight.
Delaguerra smiled a faint, grim smile. "Tough boy," he said softly. He jerked the handkerchief back, held it tight and hard, biting into the brown throat above the adam's apple.
The Filipino's legs began to jump on the floor. His body moved in sudden lunges. The brown of his face became a thick congested purple. His eyes bulged, shot with blood.
Delaguerra let the wire go loose again.
The Filipino gasped air into his lungs. His head sagged, then jerked back against the bedpost. He shook with a chill.
"Si... I talk," he breathed.
ELEVEN.
When the bell rang Ironhead Toomey very carefully put a black ten down on a red jack. Then he licked his lips and put all the cards down and looked around towards the front door of the bungalow, through the dining-room arch. He stood up slowly, a big brute of a man with loose gray hair and a big nose.
In the living room beyond the arch a thin blonde girl was lying on a davenport, reading a magazine under a lamp with a torn red shade. She was pretty, but too pale, and her thin, high-arched eyebrows gave her face a startled look. She put the magazine down and swung her feet to the floor and looked at Ironhead Toomey with sharp, sudden fear in her eyes.
Toomey jerked his thumb silently. The girl stood up and went very quickly through the arch and through a swing door into the kitchen. She shut the swing door slowly, so that it made no noise.
The bell rang again, longer. Toomey shoved his white-socked feet into carpet slippers, hung a pair of gla.s.ses on his big nose, took a revolver off a chair beside him. He picked a crumpled newspaper off the floor and arranged it loosely in front of the gun, which he held in his left hand. He strolled unhurriedly to the front door.
He was yawning as he opened it, peering with sleepy eyes through the gla.s.ses at the tall man who stood on the porch.
"Okey," he said wearily. "Talk it up."
Delaguerra said: "I'm a police officer. I want to see Stella La Motte."
Ironhead Toomey put an arm like a Yule log across the door frame and leaned solidly against it. His expression remained bored.
"Wrong dump, copper. No broads here."
Delaguerra said: "I'll come in and look."
Toomey said cheerfully: "You will-like h.e.l.l."
Delaguerra jerked a gun out of his pocket very smoothly and swiftly, smashed it at Toomey's left wrist. The newspaper and the big revolver fell down on the floor of the porch. Toomey's face got a less bored expression.
"Old gag," Delaguerra snapped. "Let's go in."
Toomey shook his left wrist, took his other arm off the door frame and swung hard at Delaguerra's jaw. Delaguerra moved his head about four inches. He frowned, made a disapproving noise with his tongue and lips.
Toomey dived at him. Delaguerra sidestepped and chopped the gun at a big gray head. Toomey landed on his stomach, half in the house and half out on the porch. He grunted, planted his hands firmly and started to get up again, as if nothing had hit him.
Delaguerra kicked Toomey's gun out of the way. A swing door inside the house made a light sound. Toomey was up on one knee and one hand as Delaguerra looked towards the noise. He took a swing at Delaguerra's stomach, hit him. Delaguerra grunted and hit Toomey on the head again, hard. Toomey shook his head, growled: "Sappin' me is a waste of time, bo."
The Simple Art Of Murder Part 4
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The Simple Art Of Murder Part 4 summary
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