The Simple Art Of Murder Part 5
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He dived sidewise, got hold of Delaguerra's leg, jerked the leg off the floor. Delaguerra sat down on the boards of the porch, jammed in the doorway. His head hit the side of the doorway, dazed him.
The thin blonde rushed through the arch with a small automatic in her hand. She pointed it at Delaguerra, said furiously: "Reach, d.a.m.n you!"
Delaguerra shook his head, started to say something, then caught his breath as Toomey twisted his foot. Toomey set his teeth hard and twisted the foot as if he was all alone in the world with it and it was his foot and he could do what he liked with it.
Delaguerra's head jerked back again and his face got white. His mouth twisted into a harsh grimace of pain. He heaved up, grabbed Toomey's hair with his left hand, dragged the big head up and over until his chin came up, straining. Delaguerra smashed the barrel of his Colt on the skin.
Toomey became limp, an inert ma.s.s, fell across his legs and pinned him to the floor. Delaguerra couldn't move. He was propped on the floor on his right hand, trying to keep from being pushed flat by Toomey's weight. He couldn't get his right hand with the gun in it off the floor. The blonde was closer to him now, wild-eyed, white-faced with rage.
Delaguerra said in a spent voice: "Don't be a fool, Stella. Joey-"
The blonde's face was unnatural. Her eyes were unnatural, with small pupils, a queer flat glitter in them.
"Cops!" she almost screamed. "Cops! G.o.d, how I hate cops!" The gun in her hand crashed. The echoes of it filled the room, went out of the open front door, died against the high-h.o.a.rd fence across the street.
A sharp blow like the blow of a club hit the left side of Delaguerra's head. Pain filled his head. Light flared-blinding white light that filled the world. Then it was dark. He fell soundlessly, into bottomless darkness.
TWELVE.
Light came back as a red fog in front of his eyes. Hard, bitter pain racked the side of his head, his whole face, ground in his teeth. His tongue was hot and thick when he tried to move it. He tried to move his hands. They were far away from him, not his hands at all.
Then he opened his eyes and the red fog went away and he was looking at a face. It was a big face, very close to him, a huge face. It was fat and had sleek blue jowls and there was a cigar with a bright band in a grinning, thick-lipped mouth. The face chuckled. Delaguerra closed his eyes again and the pain washed over him, submerged him. He pa.s.sed out.
Seconds, or years, pa.s.sed. He was looking at the face again. He heard a thick voice.
"Well, he's with us again. A pretty tough lad at that."
The face came closer, the end of the cigar glowed cherry-red. Then he was coughing racking, gagging on smoke. The side of his head seemed to burst open. He felt fresh blood slide down his cheekbone, tickling the skin, then slide over stiff dried blood that had already caked on his face.
"That fixes him up swell," the thick voice said.
Another voice with a touch of brogue to it said something gentle and obscene. The big face whirled towards the sound, snarling.
Delaguerra came wide awake then. He saw the room clearly, saw the four people in it. The big face was the face of Big John Masters.
The thin blonde girl was hunched on one end of the davenport, staring at the floor with a doped expression, her arms stiff at her sides, her hands out of sight in the cus.h.i.+ons.
Dave Aage had his long lank body propped against a wall beside a curtained window. His wedge-shaped face looked bored. Commissioner Drew was on the other end of the davenport, under the frayed lamp. The light made silver in his hair. His blue eyes were very bright, very intent.
There was a s.h.i.+ny gun in Big John Masters' hand. Delaguerra blinked at it, started to get up. A hard hand jerked at his chest, jarred him back. A wave of nausea went over him. The thick voice said harshly: "Hold it, p.u.s.s.yfoot. You've had your fun. This is our party."
Delaguerra licked his lips, said: "Give me a drink of water."
Dave Aage stood away from the wall and went through the diningroom arch. He came back with a gla.s.s, held it to Delaguerra's mouth. Delaguerra drank.
Masters said: "We like your guts, copper. But you don't use them right. It seems you're a guy that can't take a hint. That's too bad. That makes you through. Get me?"
The blonde turned her head and looked at Delaguerra with heavy eyes, looked away again. Aage went back to his wall. Drew began to stroke the side of his face with quick nervous fingers, as if Delaguerra's b.l.o.o.d.y head made his own face hurt. Delaguerra said slowly: "Killing me will just hang you a little higher, Masters. A sucker on the big time is still a sucker. You've had two men killed already for no reason at all. You don't even know what you're trying to cover."
The big man swore harshly, jerked the s.h.i.+ny gun up, then lowered it slowly, with a heavy leer. Aage said indolently: "Take it easy, John. Let him speak his piece."
Delaguerra said in the same slow, careless voice: "The lady over there is the sister of the two men you've had killed. She told them her story, about framing Imlay, who got the pictures, how they got to Donegan Marr. Your little Filipino hood has done some singing. I get the general idea all right. You couldn't be sure Imlay would kill Marr. Maybe Marr would get Imlay. It would work out all right either way. Only, if Imlay did kill Marr, the case had to be broken fast. That's where you slipped. You started to cover up before you really knew what happened."
Masters said harshly: "Crummy, copper, crummy. You're wasting my time."
The blonde turned her head towards Delaguerra, towards Masters' back. There was hard green hate in her eyes now. Delaguerra shrugged very slightly, went on: "It was routine stuff for you to put killers on the Chill brothers. It was routine stuff to get me off the investigation, get me framed, and suspended because you figured I was on Marr's payroll. But it wasn't routine when you couldn't find Imlay-and that crowded you."
Masters' hard black eyes got wide and empty. His thick neck swelled. Aage came away from the wall a few feet and stood rigidly. After a moment Masters snapped his teeth, spoke very quietly: "That's a honey, copper. Tell us about that one."
Delaguerra touched his smeared face with the tips of two fingers, looked at the fingers. His eyes were depthless, ancient.
"Imlay is dead, Masters. He was dead before Marr was killed."
The room was very still. n.o.body moved in it. The four people Delaguerra looked at were frozen with shock. After a long time Masters drew in a harsh breath and blew it out and almost whispered: "Tell it, copper. Tell it fast, or by G.o.d I'll-"
Delaguerra's voice cut in on him coldly, without any emotion at all: "Imlay went to see Marr all right. Why wouldn't he? He didn't know he was double-crossed. Only he went to see him last night, not today. He rode up to the cabin at Puma Lake with him, to talk things over in a friendly way. That was the gag, anyhow. Then, up there, they had their fight and Imlay got killed, got dumped off the end of the porch, got his head smashed open on some rocks. He's dead as last Christmas, in the woodshed of Marr's cabin... Okey, Marr hid him and came back to town. Then today he got a phone call, mentioning the name Imlay, making a date for twelve-fifteen. What would Marr do? Stall, of course, send his office girl off to lunch, put a gun where he could reach it in a hurry. He was all set for trouble then. Only the visitor fooled him and he didn't use the gun."
Masters said gruffly: "h.e.l.l, man, you're just cracking wise. You couldn't know all those things."
He looked back at Drew. Drew was gray-faced, taut. Aage came a little farther away from the wall and stood close to Drew. The blonde girl didn't move a muscle.
Delaguerra said wearily: "Sure, I'm guessing, but I'm guessing to fit the facts. It had to be like that. Marr was no slouch with a gun and he was on edge, all set. Why didn't he get a shot in? Because it was a woman that called on him."
He lifted an arm, pointed at the blonde. "There's your killer. She loved Imlay even though she framed him. She's a junkie and junkies are like that. She got sad and sorry and she went after Marr herself. Ask her!"
The blonde stood up in a smooth lunge. Her right hand jerked up from the cus.h.i.+ons with a small automatic in it, the one she had shot Delaguerra with. Her green eyes were pale and empty and staring. Masters whirled around, flailed at her arm with the s.h.i.+ny revolver.
She shot him twice, point-blank, without a flicker of hesitation. Blood spurted from the side of his thick neck, down the front of his coat. He staggered, dropped the s.h.i.+ny revolver, almost at Delaguerra's feet. He fell outwards towards the wall behind Delaguerra's chair, one arm groping out for the wall. His hand hit the wall and trailed down it as he fell. He crashed heavily, didn't move again.
Delaguerra had the s.h.i.+ny revolver almost in his hand.
Drew was on his feet yelling. The girl turned slowly towards Aage, seemed to ignore Delaguerra. Aage jerked a Luger from under his arm and knocked Drew out of the way with his arm. The small automatic and the Luger roared at the same time. The small gun missed. The girl was flung down on the davenport, her left hand clutching at her breast. She rolled her eyes, tried to lift the gun again. Then she fell sidewise on the cus.h.i.+ons and her left hand went lax, dropped away from her breast. The front of her dress was a sudden welter of blood. Her eyes opened and shut, opened and stayed open.
Aage swung the Luger towards Delaguerra. His eyebrows were twisted up into a sharp grin of intense strain. His smoothly combed, sand-colored hair flowed down his bony scalp as tightly as though it were painted on it.
Delaguerra shot him four times, so rapidly that the explosions were like the rattle of a machine gun.
In the instant of time before he fell Aage's face became the thin, empty face of an old man, his eyes the vacant eyes of an idiot. Then his long body jackknifed to the floor, the Luger still in his hand. One leg doubled under him as if there was no bone in it.
Powder smell was sharp in the air. The air was stunned by the sound of guns. Delaguerra got to his feet slowly, motioned to Drew with the s.h.i.+ny revolver.
"Your party, Commissioner. Is this anything like what you wanted?"
Drew nodded slowly, white-faced, quivering. He swallowed, moved slowly across the floor, past Aage's sprawled body. He looked down at the girl on the davenport, shook his head. He went over to Masters, went down on one knee, touched him. He stood up again.
"All dead, I think," he muttered.
Delaguerra said: "That's swell. What happened to the big boy? The bruiser?"
"They sent him away. I-I don't think they meant to kill you, Delaguerra."
Delaguerra nodded a little. His face began to soften, the rigid lines began to go out of it. The side that was not a bloodstained mask began to look human again. He sopped at his face with a handkerchief. It came away bright red with blood. He threw it away and lightly fingered his matted hair into place. Some of it was caught in the dried blood.
"The h.e.l.l they didn't," he said.
The house was very still. There was no noise outside. Drew listened, sniffed, went to the front door and looked out. The street outside was dark, silent. He came back close to Delaguerra. Very slowly a smile worked itself on to his face.
"It's a h.e.l.l of a note," he said, "when a commissioner of police has to be his own undercover man-and a square cop had to be framed off the force to help him."
Delaguerra looked at him without expression. "You want to play it that way?"
Drew spoke calmly now. The pink was back in his face. "For the good of the department, man, and the city-and ourselves, it's the only way to play it."
Delaguerra looked him straight in the eyes.
"I like it that way too," he said in a dead voice. "If it gets played-exactly that way." that way."
THIRTEEN.
Marcus braked the car to a stop and grinned admiringly at the big tree-shaded house.
"Pretty nice," he said. "I could go for a long rest there myself."
Delaguerra got out of the car slowly, as if he was stiff and very tired. He was hatless, carried his straw under his arm. Part of the left side of his head was shaved and the shaved part covered by a thick pad of gauze and tape, over the st.i.tches. A wick of wiry black hair stuck up over one edge of the bandage, with a ludicrous effect.
He said: "Yeah-but I'm not staying here, sap. Wait for me."
He went along the path of stones that wound through the gra.s.s. Trees speared long shadows across the lawn, through the morning sunlight. The house was very still, with drawn blinds, a dark wreath on the bra.s.s knocker. Delaguerra didn't go up to the door. He turned off along another path under the windows and went along the side of the house past the gladioli beds.
There were more trees at the back, more lawn, more flowers, more sun and shadow. There was a pond with water lilies in it and a big stone bullfrog. Beyond was a half-circle of lawn chairs around an iron table with a tile top. In one of the chairs Belle Marr sat.
She wore a black-and-white dress, loose and casual, and there was a wide-brimmed garden hat on her chestnut hair. She sat very still, looking into the distance across the lawn. Her face was white. The make-up glared on it.
She turned her head slowly, smiled a dull smile, motioned to a chair beside her. Delaguerra didn't sit down. He took his straw from under his arm, snapped a finger at the brim, said: "The case is closed. There'll be inquests, investigations, threats, a lot of people shouting their mouths off to horn in on the publicity, that sort of thing. The papers will play it big for a while. But underneath, on the record, it's closed. You can begin to try to forget it."
The girl looked at him suddenly, widened her vivid blue eyes, looked away again, over the gra.s.s.
"Is your head very bad, Sam?" she asked softly.
Delaguerra said: "No. It's fine... What I mean is the La Motte girl shot Masters-and she shot Donny. Aage shot her. I shot Aage. All dead, ring around the rosy. Just how Imlay got killed we'll not know ever, I guess. I can't see that it matters now."
Without looking up at him Belle Marr said quietly: "But how did you know it was Imlay up at the cabin? The paper said-" She broke off, shuddered suddenly.
He stared woodenly at the hat he was holding. "I didn't. I thought a woman shot Donny. It looked like a good hunch that was Imlay up at the lake. It fitted his description."
"How did you know it was a woman... that killed Donny?" Her voice had a lingering, half-whispered stillness.
"I just knew."
He walked away a few steps, stood looking at the trees. He turned slowly, came back, stood beside her chair again. His face was very weary.
"We had great times together-the three of us. You and Donny and I. Life seems to do nasty things to people. It's all gone now-all the good part."
Her voice was still a whisper saying: "Maybe not all gone, Sam. We must see a lot of each other, from now on."
A vague smile moved the corners of his lips, went away again. "It's my first frame-up," he said quietly. "I hope it will be my last."
Belle Marr's head jerked a little. Her hands took hold of the arms of the chair, looked white against the varnished wood. Her whole body seemed to get rigid.
After a moment Delaguerra reached in his pocket and something gold glittered in his hand. He looked down at it dully.
"Got the badge back," he said. "It's not quite as clean as it was. Clean as most, I suppose. I'll try to keep it that way." He put it back in his pocket.
Very slowly the girl stood up in front of him. She lifted her chin, stared at him with a long level stare. Her face was a mask of white plaster behind the rouge.
She said: "My G.o.d, Sam-I begin to understand."
Delaguerra didn't look at her face. He looked past her shoulder at some vague spot in the distance. He spoke vaguely, distantly.
"Sure... I thought it was a woman because it was a small gun such as a woman would use. But not only on that account. After I went up to the cabin I knew Donny was primed for trouble and it wouldn't be that easy for a man to get the drop on him. But it was a perfect set-up for Imlay to have done it. Masters and Aage a.s.sumed he'd done it and had a lawyer phone in admitting he did it and promising to surrender him in the morning. So it was natural for anyone who didn't know Imlay was dead to fall in line. Besides, no cop would expect a woman to pick up her sh.e.l.ls.
"After I got Joey Chill's story I thought it might be the La Motte girl. But I didn't think so when I said it in front of her. That was dirty. It got her killed, in a way. Though I wouldn't give much for her chances anyway, with that bunch."
Belle Marr was still staring at him. The breeze blew a wisp of her hair and that was the only thing about her that moved.
He brought his eyes back from the distance, looked at her gravely for a brief moment, looked away again. He took a small bunch of keys out of his pocket, tossed them down on the table.
"Three things were tough to figure until I got completely wise. The writing on the pad, the gun in Donny's hand, the missing sh.e.l.ls. Then I tumbled to it. He didn't die right away. He had guts and he used them to the last flicker-to protect somebody. The writing on the pad was a bit shaky. He wrote it afterwards, when he was alone, dying. He had been thinking of Imlay and writing the name helped mess the trail. Then he got the gun out of his desk to die with it in his hand. That left the sh.e.l.ls. I got that too, after a while.
"The shots were fired close, across the desk, and there were books on one end of the desk. The sh.e.l.ls fell there, stayed on the desk where he could get them. He couldn't have got them off the floor. There's a key to the office on your ring. I went there last night, late. I found the sh.e.l.ls in a humidor with his cigars. n.o.body looked for them there. You only find what you expect to find, after all."
He stopped talking and rubbed the side of his face. After a moment he added: "Donny did the best he could-and then he died. It was a swell job-and I'm letting him get away with it."
Belle Marr opened her mouth slowly. A kind of babble came out of it first, then words, clear words.
"It wasn't just women, Sam. It was the kind of women he had." She s.h.i.+vered. "I'll go downtown now and give myself up."
The Simple Art Of Murder Part 5
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The Simple Art Of Murder Part 5 summary
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